Tag Archives: made

i could

i could implore you with certainty,
dream on a dream of reality
could be a doll de porcelana
in the whites of your eyes.

i could pretend my uncertainty
was not acerca de ti
but rather a circle you see
in the mud of my eyes. 

podía.
si.

 

 

*de porcelana –made of china / porcelain
*acerca de ti –about you
*podía. si. – i could have. yes.

so there!

expendable
and with the blurring quality of a spanish sunset
i ought to stop dreaming of the miracle
they [nora knows] don’t happen ever

no fool but i expects
a man to build a roof over the pedestal
everyone knows statues have no eyes to worry about rain

sleep like trauma washing over me washing dishes
as if salt could wash away a man-made stain

what call you this
a fading jaded tan line of black bags under the eyes
what am i now
a landing strip stripped bare so there!

86. i think she knew

through my paperround last year i met a wonderful man. he used to walk his dog as i’d deliver papers and we started talking around the time i started writing this blog. i think he’s 82: he must have mentioned it a while back. and i’m afraid there’s nothing literary about him: his existence is one of uncouth coutesy.

i quit the paperround a while back now but i still see him every sunday. nine o’clock in the morning, like church. he’s my little christian connection: even S is nowhere near taking his place. he gave me a bible with a picture of him in his youth stuck at the back, so that i remember him. secretly, i think, he believes that it will help me find him in heaven: he believes i will go there after all. 

to my friends, this man is “the old man”. to me, he is much more than that. it may be true that i meet him every sunday partly because i feel like it’s my obligation, but also because somewhere beneath my skin there’s a tendon that connects me to him.

his wife died last night. or the night before that. and there’s no more words because i’m hurting for him. because how can one even begin to describe his pain?

i had made them a card only this march: they celebrated their 60th wedding annivesary.

sometimes he told me he wondered if she ever loved him but i know that was only because he loved her more than anything else. ever.
and it’s a little late for him to tell her, but i hope she knew. i think she knew.

83. write me a letter

 will anybody tell me if i’m missing out on life?

will anyone write me a letter just so i know?

and everybody seems to be making a film, a compilation of their thoughts right here, right now. irony is, i’m wasting my words on the wind, across the telephone wires that stretch inside my head. and when i am brave enough to speak my words out, they are spoken to you alone. what about the rest of the world? how will they ever know? 

you made a film with your friends. i guess that’s what you do in youth.
me? i used to leave my colouring books blank for fear of spoiling them. funny me.
and whenever creativity came to me, i wrote the words, drew the pictures on scraps of paper. i still have some of them. little pieces of my mind written in quickhand.

and though none of them relate to you, all that i remember of X is there: they are silent exultations, utterances of pain and dreams. they are free. 

sometimes, i still wish i coloured those pictures in.
and sometimes i know there’s no use wishing: it’s all too late now. i’ve sketched my life out in this morning sunshine. whatever happens now was always meant to be.

82. once in a million words

to know fear is to have never tasted it, that bitter acrid taste of rotting apples mixed with strong perfume. there is no knowing, only inhalation and dizziness before the lights go on. then, fear subsides.
the aftertaste remains. cologne is rotting. rotting all the same.

and swallowing the cider bile i stop. and start. i stop and start. and i remember that this was rhythm beaten out for me and Y. aeons ago, i would have told him this was our rhythm, that it was made for us. really, the rhythm is mine alone.
it is the heartbeat of a rabbit caught running in circles, breaking out of a different hole every time. only i have no space of time and who knows if i’m late?
there is no knowing here, only white roses being painted red. but i need no paint, truth always comes out in the end.

and this fear reigns over love. it transcends the borders of us and reproduces in our creations. why is that, will you tell me?
it must be us, the charcoal darkening the paper.
it must be orange juice spilt on a linen cloth. or coffee. coffee on those tiles.

still, it’s so nice to be able taste fear once in a million words, wouldn’t you say?