Tag Archives: where

words

words are emptiness
full and languid
deftly swept across a chasm.

we break it –
stale stolen bread for communion;
and drown it in white wine painted red,
where flesh merges with blood
and heart is clogged with lumps of fat.

words are just that.

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88. soon, soon

yes, you are right, i should like to hide my head in the sand and pretend all that darkness is nothing but light shining through a filter tinted the colour of night. i should pretend last night never happened, i should pretend i am content here by your side in the leafy undergrowth of life where all i see are roots uprooted, dying in the sun. and would you blame me?

i could not sleep last night, thinking of the shining lights enveloping you, pillow over my head to drown out hurt. i wondered if i ought to watch a film, but that would be defeat. no, i would lay here and count your wrongs, my wrongs, the cracks in the ceiling of our hearts, thoughts, lives.
soon, soon, the artery would rupture and drown out the pain.
soon, soon.

i knew i couldn’t cut myself. what with? a knife? i could almost hear you saying don’t be silly in that tone of yours. and pills, what good would it do? only that i may die without salvation, without the knowledge of how to cling to love by the skin of your fingertips. or maybe i know that already.

and i can’t live with all that poison, not even just for tonight. i would fight but my limbs have gone to sleep and i am faced with a picture of you in the club, music pounding, drinks flowing, girls dancing.
and i realise i can’t say that there is anything missing. there is not.

87. my two plus two

we change. why do we do that? tell me truthfully and without needless words.
i spoke to you in a language you did not understand, in hope that your eyes would tell me what your lips couldn’t. in the end, your hands spoke, holding my flesh as if it were a vessel brimming with the very water of life.

i wonder how and why we have come to this river where the past merges with the future and washes over the present. more importantly, how did i leave Y behind with all his unread letters; and how did you find me amongst all the other grains of sand?

i’ve listened to too many sad songs, heard too many excuses and i spoke to Y on friday. 
completion.
he came out with a gem when i told him that really, i had never lied to him, never told him i’ll be yours forever. he told me that he never lied either. a lie is something that is said with the intention of deceit. clever boy. pah!
i stick to my two plus two: all my past hurt equals you. and i’m thankful.

and between the lapses in translation i’m convinced that nothing matters but me and you and your hands. they will find me all over again.

this field

you can have the whole of me in this field:
i pressed my soul into its loins
and beads of sweat still glisten
on the body learning to tango
in the outpour of rain.

i will surrender only here
so take care not to move even a strand of hair
from beneath the tree where i will lay through my whole life,
as if dying prematurely,
for this is home and i forbid you.

a day will come when spring will open me enough
for sun to shine
into the roots of the old cambridge tree
and open up
the rest of me.

—————————————————————-

i’ve been writing this poem for a while now and it feels forever unfinished. maybe that’s just me, always a word out, a syllable in. and then i give up and start something else. at the end of the day, however, i always come back to this. and the oldest tree in cambridge.

84. that will be all

it’s time for answers. or questions. whichever. 
a fellow writer inspired me to think about a few. and they started the clock tick-tocking inside my mind: what did a girl like me want anyhow? what is the dream, the true ideal?

 

1. i’d like a picture of you on my windowsill by my bed: to keep, to hold, to treasure. it will be my reminder that you exist and when i wake up in the middle of the night, wondering if i dreamt up my whole life, i want it there to touch. it’ll be solid in my hands. a relic. and it’ll be in a mosaic picture-frame we’ve yet to buy. in barcelona or in paris (just because i like the way you say it) or in a magic place far away.

2. i’d like to have you on call, running to me whenever i need you there and sometimes just because. you know: for no reason, just because i want to be in your arms where it’s never lonely.  

3. and i want you to have eyes for nobody else but me, following me, stalking me, penetrating me anew with every gaze. i want them to ask me for affirmation of my love every morning and i want them to drown me whole, as if they were not eyes but lagoons of clear-blue water in devon, on hot summer afternoon, when all you want is to immerse yourself whole in water .

4. but more than anything, i’d like to know that this is where you want to be: here with me.

5. that will be all.

soar!

soar!
above the mountains, touching rooftops
where dreams are made through Kais and Gerdas of tonight,
their flowers – moondust
eclipsing the broken shells of sky.

i tell you, soar,
as if there was no tomorrow – who knows
if there will be a today.
i see horizon cracking at the edges, burdened with heavy clouds
of rain. cumulative correlation of cumulous clouds.
the very thought is raining on me.

so build your wings, Icarus:
i keep one eye in those clouds to watch over your flight.

as though you might not make it.

almost

some days i realise
they wouldn’t be worth living
if i didn’t have you
pounding in my heart. 

it sounds cliché,
somehow outdated, to say this here
and to say this now. almost
a long-distance call to atlanta
where skies flow like whisky down the throat,
and beach
and people, morning sunshine,
before receiver clicks in the ear
with mourning beep foreshadowing the silence
and storm
with a million shards of sounds
running like a movie in my eyes.